Here you have the diary of the sculpting of the
Nosferatu - the vampyre model kit:
Parts of this was published in Amazing Figure Modeler
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(27 July 2000) The 18th of July I started on the next kit in line. It will be one more take on Nosferatu, featuring Klaus Kinski sneaking up behind a shocked Isabelle Adjani in a two figure set. Beside you'll find the first in progress shots taken the 28th of July. I will sculpt all head and hand details in wax since my experience from the toy industry has taught me the value of using this material before Super Sculpey. I'll still use Sculpey for the rest of the kit though. Note that hands are just markings in Super Sculpey showing where the final hands will go.
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(1 August) Did a little reposing today. After a discussion with Kenneth Nyman (Valkyria design) I decided it would look more creepy if he leaned a bit forward, pointing his head in a different direction. This gave him more movement and will work well both together with Adjani and as a stand alone.
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(7 August) I started on the Adjani head the other day. Here's a pic after two days of sculpting. Same thing here. I'm doing the head and arms in wax. However I don't want to do her hair in wax, so I'll have to make molds and cast the head in resin before adding a clay hair. |
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(8 August) Started on Adjani's body today. So here's the first glimpse of things to come. Please note that she will be sitting so it might look a bit odd right now when she's doing that strange "antigravity"-dance! |
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(10 August) Did a little detailing/refining on both heads and started on Lucy's dress. I'm not sure about her exposed leg, time will tell. I will be tied up in other commitments next week and hope to resume work next Thursday. See you then. Oh, by the way, the clay-blob on Lucy's head is supposed to mark out the hair. Mostly for this pic.
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Worked a little on Kinski's face. I received some constructive criticism from a German Kinski fan regarding some of Kinski's features and I found he was right in many ways (thanx Marcus!). I also started on Adjani's hands. |
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(25 August) I've worked a little more on the likeness, and I built a couple of hands for Kinski. The left hand is a very twisted hand, probably the weirdest looking hand I've ever done. The other is "unfolded", spread out. Nosferatu-style! Adjani went to silicone today, so that I can proceed with her, sculpting hair and stuff. |
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(28 August) I've worked a little more on Kinski's forehead and added a little skin texture and a few wrinkles. Still have to work on the eyebrows though. Casted Adjani's head in flesh colored resin and attached it. Started on her hair and started refining her gown. The hands got a little treatment also, but still a few things to attend to here. |
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(31 August) Refined Adjanis gown a little today and finished the chair she will be sitting on. I started on it yesterday. Also did a little on her hands. Kinski's forehead got a slightly rounder shape. Yesterday I detailed his nails and knuckles a little and started on refining his cloak, but that was so darn boring so I did Adjani's hair instead. Brought you two close-ups of the faces for you to see where I'm heading (no pun intended!). It's quite hard to tell the likeness from these pics since they both are very dependent on their make-up. Also the level of details could be better, but I'm dumping pics from my DV-camcorder, so I only get 72 dpi, sorry. |
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(1 September) Changed a few things on Kinski's head again. Moved the ears a bit forward (you where right Marcus!). And almost ruined it all, at least the left ear had to be rebuilt and I unintentionally touched the backside of the head with the side of the waxer tool. Melted a great gaping hole in the head. Detailed Adjani's night gown and right sleeve. Here are two more "mugshots". |
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(4 September) I've worked on Adjani's gown today. Redid the folds on the front, because I wanted a softer appearance. Still a little detailing left to do though. |
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(6 September) Worked on Kinski's cloak, just defining the shape, rake and soften the surface. Also detailed Adjani's foot and did some touch ups on her gown. Yesterday I worked mostly on her hair. |
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(12 September) Here are a couple of panorama pics of the two characters, as well as a full view pic.
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(31 October 2000)
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(13 December) The molding process is something that has to be carefully orchestrated and you don't want to make any mistakes. Especially when I've decided to do "mold-molds" to pull duplicate molds from. I tried it on some of the parts for the Graf Orlok kit and it worked fine so I will do it for the whole kit. So; No Mistakes!
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(4 January) I still have to do the molds for the base. There are a whole bunch of rats sticking out under Kinski's cloak and the tails are molded onto the base. I will get the mold done this weekend and then maybe, the production can start. Unfortunately I don't have any time for casting nowadays (I usually do all castings myself!), but I'll try to persuade a few friends to help out. This really feels like a breakthrough!
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(Spring 2001) The cover was another thing; I wanted a friend of mine, who is a fantastic painter, to paint the cover artwork Aurora-style. He liked the idea, but had no chance to start before the end of April, so I just had to do a cover by myself. Only a few days left before I left for USA I had it done and the very night before leaving I got the color ad in for AFM. I managed to get 20 copiesof the kit done, thanks to Christer Ottling who now is a certified caster at the school of Swede Creations ;-), and while packing I realized; this is a lot of kits! Hope I get at least 10 sold... (1 May) |

